Inspired by a 17th-century Italian book binding, Viola showcases a floral pattern and rosette motif. Book bindings from this period are characterized by the ornamental richness of the cover’s central area. Featuring sweeping tendrils in a centralized diamond shape, this is a classic example of the era’s bookbinding style.
Capturing the flavour of Renaissance-style bound books, our Flint cover pays homage to the craft of delicate gold tooling. For this Old Leather design, we have incorporated a textured white design reminiscent of chalk, flint or limestone, adding an edginess to the look of finely wrought leather.
The design reproduced on this cover centres around a sensitive plant surrounded by other richly hued flowers, foliage and butterflies. The binding was used for The Sensitive Plant and Early Poems by Percy Bysshe Shelley and is a celebration of the creative spirit.
This cover is based on the binding for a book titled Chroniques, published by Salel Binder in Paris in 1514. The exuberance of the design reflects the splendour of the Renaissance approach to decoration. In this green-blue journal cover you may see the intricacies of your own stories.
A defining characteristic of Laurel Burch’s artwork is her use of vibrant colours that are embellished in gold and silver. On this brilliantly coloured journal cover, we’ve reproduced one of her paintings that perfectly captures these attributes as well as her joyful personality.
Capturing the flavour of Renaissance-style bound books, our Flint cover pays homage to the craft of delicate gold tooling. For this Old Leather design, we have incorporated a textured white design reminiscent of chalk, flint or limestone, adding an edginess to the look of finely wrought leather.
Originally titled “Imagine,” the Laurel Burch painting reproduced on this cover celebrates her imaginative nature and love of life. Burch’s goal was to inspire joy and raise people’s spirits and, though she passed away in 2007, her uplifting artworks continue to spread happiness today.
Olena Skytsiuk is one of the foremost practitioners of Ukrainian Petrykivka painting, a technique in which special brushes crafted from cat hairs create a visual effect unlike any other. In each design, like that reproduced on our Moonlight cover, thousands of small strokes combine to create colourful miniature scenes.
This cover is based on the binding for a book titled Chroniques, published by Salel Binder in Paris in 1514. The exuberance of the design reflects the splendour of the Renaissance approach to decoration. In this green-blue journal cover you may see the intricacies of your own stories.
Here you can see the world through the eyes of Willem Blaeu, a 17th-century mapmaker who set the standard for map engraving, paper and colour quality. The original coloured copperplate map is one of the most sought-after maps from the Golden Age of cartography and is a fine depiction of Blaeu’s geographical knowledge.
Ancient spiritual practices meet modern digital art in this kaleidoscopic cover featuring the work of Android Jones. Dharma Dragon asks the viewer to focus on the potential for awakening, the power of the ancient third eye and the early reverberations of the time that lies before us.
Our Aurelia design is fit for a king. Its inspiration dates back to Paris in the mid-18th century and the original binding housed copies of King Louis XV’s procedures for Holy Week. This book design is a marvellous riot of gold-tooled rococo elements, featuring birds, flowers and leaves.
Olena Skytsiuk is one of the foremost practitioners of Ukrainian Petrykivka painting, a technique in which special brushes crafted from cat hairs create a visual effect unlike any other. In each design, like that reproduced on our Moonlight cover, thousands of small strokes combine to create colourful miniature scenes.
Tiptoe through the tulips with us as we discover Gary Grayson’s vibrantly detailed world in this cover design. Grayson’s distinctive style is an eclectic mix of vintage vector, impressionism and pop art – all combined in rich layers. May his boundless creativity so inspire your own imagination.
Evocative of an age when the heavens were alive with more than satellites, this cover design is a romantic’s delight. Frederik de Wit’s spectacular map of the heavens was published in the late 17th century and depicts the hemispheres with representations of the constellations and signs of the Zodiac.
Behold the majesty and brilliance of the colours of autumn. When warm rays of light are replaced by cool easterly winds, we know that the end of summer is upon us. With our Persimmon journal cover, we celebrate the warm and enticing hues of the changing seasons and the possibilities that they bring.
Nikola Tesla was a Serbian-American inventor, physicist, futurist and engineer. Our cover features a sketch of his turbine research, reproducing a document held in Belgrade’s Nikola Tesla Museum. Today, his legacy endures with Tesla, Inc., which specializes in electric vehicles, solar panels and lithium-ion batteries.
Inspired by a 17th-century Italian book binding, Viola showcases a floral pattern and rosette motif. Book bindings from this period are characterized by the ornamental richness of the cover’s central area. Featuring sweeping tendrils in a centralized diamond shape, this is a classic example of the era’s bookbinding style.
Inside the original 1910 version of this sumptuous binding lay one of the oldest and most effortlessly romantic stories ever written: Daphnis and Chloe by the 2nd-century Greek author Longus. Our Chloe planner features a purple design, representing the character’s wisdom, dignity and mystery.
Our Aurelia design is fit for a king. Its inspiration dates back to Paris in the mid-18th century and the original binding housed copies of King Louis XV’s procedures for Holy Week. This book design is a marvellous riot of gold-tooled rococo elements, featuring birds, flowers and leaves.
