This catalogue is published on the occasion of the Werkstattpreis 2018, an award for sculptors, and Charlotte Mumm's solo-exhibition 'so oft so soft' at Kunststiftung Erich Hauser in Rottweil Germany. It shows the exhibition in the working hall of 600m2 en detail and in combination with poems and the profound text from the art critic Ursula Panhans-Bühler.
Kniha má cca 150 strán a možno ju vnímať ako umelecký objekt. Je súčasťou epického celku, ktorý preberá a voľne interpretuje Linného taxonomický systém. Tiež je druhým pokračovaním prvej úspešnej edície Vol I Family vydanej londýnskym zinovým nakladateľstvom Eros Press. Delenie a obrazová nádveznosť je na rozdiel od prvého dielu linerárnej kompozície vertikálne.
This publication i a consequence of Petra Feriancová's exhibition: Systems, Individuals and Measuring Tools at Sant Nicolau chapel, Bólit, centre d'art contemporani, Girona 23.9-22.12.2016
This publication arises from the fourth collaboration with Květa Fulierová and it is entirely in her dramaturgy comprising of Květa's selection and systematization of materials from the archives relating to art works and collaborations with Julo Koller during their life together in their small home on Kudláková 5.
Petra Feriancova, born in Bratislava (former czechoslovakia in 77), works with the intention of post-production. The key moment of her work is the conceptualisation of her own emotional reactions to the processes of perception and memory, as well as an examination of the conditions under which they are shared.
This is the first volume in a series of books by Slovak artist Petra Feriancová involving the contemplation of associations between images drawn from the authors substantial archive. In this volume they navigate between ideas of reproduction and maternity in the animal and plant kingdoms, as well as in our own society.
We can say that Květas photographs are the basic element of Kollers work. Relentlessly and readily, she documented most of their time spent together; the travels, the work, the meetings of artists at Kudlakova street number 5, as well as the games for their grandchildren that they invented. The pictures later became the basis to Kollers key artworks.
Knižka je súhrnom facebookových statusov Františka Ružičku počas jeho rekonvalescencie v psychiatrickej liečebni v Bohunicích po pokuse o sebevraždu skokom z okna. Statusy sú humorné a celkom presne popisujú realitu každodennosti jedného blázinca.
Bird guide I a II, is a recherche and a collection of texts from classical mythology related to concrete bird species, which artist's aunt, a professor of ornithology Zora Feriancová Masárová helped to identify. These species of birds are freely distributed, but this guide introduces them as if they were a human invention. Their existence began only as a myth.
AMO AMARE is dedicated to a romantic conceptualization of Kveta Fulierova in the work of one of our most prominent conceptual artists Julius Koller. Although Koller`s love concepts represent only a small and rather intimate chapter in his practice, they pregnantly reflect his understanding and approach to the world. Koller draws most of his everyday routine into mounts of his (anti)art.
A panorama of the city, a public platform, a dysfunctional lookout, blocking the actual view but confronting the viewer with textual observations of the city and the condition of the view in Istanbul, Panorama (The Right of View) was a traveling attraction and an architectonic sculpture.
Against Light - Creator - Almost Venice - Views - Still the Same Place - According to Ruskin - Repetition - Water - Movement
Spoločný publikačný projekt českých umelcov Terezy Kaburkovej a Mateja Smetany možno vnímať ako umelecké dielo či ojekt, ktorého designérom je Petr Hruza.